Phantoms in the DirtJul 24 — Oct 5, 2014

  • Richard Mosse, Beaucoups Of Blues, North Kivu, Eastern Congo, November 2012, 2012
  • Harold Mendez, Panic dwindled into jitters into detached fascination. It was just a show. The longer I watched the less I felt. Events coupled, cavorted, and vanished, emotion hanging in mid air before my lemur eyes like a thin shred of homeless ectoplasm. It was cool. It was like drowning in syrup. (After Sally Mann), 2008-2011
  • Adam Schreiber, Remains, 2012
  • Greg Stimac, Old Faithful Inversion, 2012
  • Shane Ward, Souvenir, 2012-2014
  • Anya Gallaccio, As the Moon Turns in Space (detail), 2011
  • Jeremy Bolen, Plot M #1 (Print from film exposed and buried at plot m above waste from the first nuclear reactor. The film was unearthed by an anonymous force), 2014

Jeremy Bolen
Matthew Brandt
Shannon Ebner
Assaf Evron
Anya Gallaccio
Jay Heikes
Joachim Koester
Harold Mendez
Richard Mosse
Eileen Mueller
Arthur Ou
Alison Rossiter
Adam Schreiber
Daniel Shea
Greg Stimac
Shane Ward

The sixteen artists in this exhibition present an array of physical remnants and enigmatic traces, ranging from cryptic objects to the marks of human activity in rugged landscapes. Searching for phantoms in the dirt, so to speak, their works reckon with the facts of matter, the nature of photographic imagery, and the forces (sometimes invisible) that leave their mark on our surroundings. In doing so, they are also considering how the visible and the tangible—or sometimes what our senses can't apprehend at all—shape our encounters with the world around us or generate mutable senses of meaning. Perhaps tellingly, their work is often both matter-of-fact and mysterious, an empirical approach even giving way to atmospheric or inscrutable results. At the same time, these works offer a range of outlooks on the possibilities of photography and sculpture. One medium would seem to favor the aloof image, the other matter itself; both, however, offer myriad ways to examine, or grapple with, the material world, whether at its most substantial or elusive. 

Guest curated by Karsten Lund (Museum of Contemporary Art Chicago).

Phantoms in the Dirt is presented in collaboration with the Contemporary Arts Council.

Generous support for Phantoms in the Dirt  is provided by the Efroymson Family Fund.  Additional support is made possible by the Headlands Center for the Arts, the Illinois Arts Council Agency, and the Danish Arts Foundation.


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Museum of Contemporary Photography

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