Symposium: Unfinished Business! The South Side and Chicago ArtVarious Locations
About The Event
Watch here: https://vimeo.com/310667342
Co-presented by the Museum of Contemporary Photography and the Smart Museum of Art
FREE, but space is limited. Please register here in advance.
October 19–20, 2018
This symposium addresses the historic significance of the South Side as a community, a set of institutions, and a collection of artists. Although under-recognized in most surveys of Chicago art, the South Side nurtured important artistic movements, raised complex questions about the nature of black aesthetics, and promoted the arts through community arts organizations in ways that are still shaping the fabric of Chicago.
Through a series of panels and intergenerational dialogues, the symposium connects the history of the South Side to the present moment, in which the community, its arts organizations, and artists continue to play a central role in the visual culture and artistic dialogue of Chicago’s vibrant art and design community.
Unfinished Business! is presented as part of Art Design Chicago by the Mary Jane Crowe Conference Fund at Northwestern University; the Museum of Contemporary Photography at Columbia College Chicago; and the Smart Museum of Art at the University of Chicago.
Black Parnassus: Art in Chicago in the Interwar Years
Friday, October 19, 6 pm
Stage Two, Columbia College Chicago, 618 South Michigan Avenue
Richard J. Powell is John Spencer Bassett Professor of Art & Art History at Duke University. A specialist in American art, the arts of the African Diaspora, and contemporary visual studies, he has written extensively, including such titles as Homecoming: The Art and Life of William H. Johnson (1991), Black Art: A Cultural History (1997 & 2002), and Cutting a Figure: Fashioning Black Portraiture (2008).
Saturday, October 20, 10am–6pm
Reva and David Logan Center for the Arts, 915 E. 60th Street, Performance Penthouse
Spaces: The South Side and Black Cultural Institutions
This panel reflects on the South Side as a site of cultural production and activism, and explores how it functioned within and responded to the social/cultural/political conditions of the South Side
Natalie Moore, WBEZ reporter and author of The South Side
Maséqua Myers, Executive Director of the South Side Community Art Center
Faheem Majeed, artist, educator, curator, community facilitator, and co-director of the Floating Museum
Moderated by Skyla S. Hearn, Chief Archivist and Special Collections Librarian at the DuSable Museum of African American History
Break for food, a listening party for The Alley LP, and a printmaking activity led by William Estrada
From the Archive
A series of presentations that explore historic artistic interventions on the South Side.
The Alley LP: Perspectives & Recollections
Ready: Making a Black Film Community in Chicago
Jacqueline Stewart, The University of Chicago
A Space in Time: Osun Center for the Arts 1968–1982
Yaoundé Olu, Chicago and Gary Crusader Newspapers
Mapping the South and West Sides with Ralph Arnold
Greg Foster-Rice, Columbia College Chicago
Fem-Images in Black: Recovering the South Side’s 1970s Black Feminism
Rebecca Zorach, Northwestern University
Panel: Shaping the South Side through Art and Activism
Artists at the frontlines of activist organizing has been a consistent characteristic of how Chicago's South Side communities have operated, whether it's 1968 or 2018. For this panel, artists, activists, and scholars come together to discuss the ways that art and activism have intersected in Chicago over the decades and what it looks like today.
Page May, founder, Assata’s Daughters
Monica Trinidad, For the People Artists Collective
Ayana Contreras, host of Reclaimed Soul on Vocalo
Abdul Alkalimat, University of Illinois
Moderated by Tracye Matthews, Center for the Study of Race, Politics, and Culture at the University of Chicago
Saturday, October 20, 7pm
Reva and David Logan Center for the Arts, 915 E. 60th Street, screening room
Art & Music: The Cry of Jazz and Chicago Blues
Following the symposium is a screening of two films about the intersections of art, music, and politics on Chicago's South Side: Edward Bland's The Cry of Jazz (1959, restored 35mm print) and Harley Cokeliss's Chicago Blues (1970, digital restoration), introduced by Ayana Contreras (host of Reclaimed Soul on Vocalo) and presented by South Side Projections as part of their Chicago's Black Arts Movement in Film series.
Support for Unfinished Business! is provided by the Reva and David Logan Center for the Arts at the University of Chicago.
Art & Music: The Cry of Jazz and Chicago Blues is presented by South Side Projections as part of their film series Chicago’s Black Arts Movement on Film and in conjunction with the symposium Unfinished Business! The South Side and Chicago Art. Support for the film screening is provided by the Film Studies Center and the Reva and David Logan Center for the Arts at the University of Chicago.
Unfinished Business! and Chicago’s Black Arts Movement on Film are presented as part of Art Design Chicago, an exploration of Chicago’s art and design legacy, an initiative of the Terra Foundation for American Art with presenting partner The Richard H. Driehaus Foundation.
Image: Howard Simmons, detail of poster for the exhibition Through Eyes of Blackness at the South Side Community Art Center, June 17-July 7, 1973.